“It’s always funny until someone gets hurt. Then it’s just hilarious.” (Bill Hicks)

I try to post once a week, and failed totally to do so last week.  This means the post I planned on funny books, to coincide with Comic Relief , was oh-so-topical last week but now is about as current as Christmas.  What the hell, I won’t let my ineptitude deter me from my course.  I’ve written in a previous post about my friend H insisting on lending me light reads, this week I’m going to look at two more books H hopes will encourage me to relinquish my default solemnity and embrace the sunny side of life (particularly difficult here in the UK at the moment as Spring refuses to be sprung and it’s snowing. There’s even talk of a white Easter, which is so unnecessary). I’m concerned this post is self-defeating, because humour is so personal that whether or not I found something funny is really irrelevant as to whether anyone else finds it funny, but let’s crash onwards, and hopefully I’ll be able to give you an idea of whether you want to read the novels or not.  Probably I should stop thinking about it all so seriously!

Firstly Small World by David Lodge (1984, Penguin).  H lent this to me because I am one of those nerds unable to function in the real world so I keep holing up in universities, refusing to leave until I develop book-fanciers lung (which is a disease I think I’ve just invented) from hanging out in libraries the entire time. Well, everyone needs a life plan….  So, Small World is set amongst academia, and mainly derives its humour from its portrayal of vain, self-serving academics competing with each other for a Chair of literary criticism post that only exists virtually – they don’t have to do any work for it, deliver lectures, or even use an office.  This forms the background to series of conferences where the cast of characters intermingle, bitch, gossip and have sex with one another. The nearest character to a hero is Persse McGarrigle, a ridiculously idealistic post-graduate who has spent too much time in books and too little in the real world (I obviously have no idea what that’s like). His thesis is on Shakespeare’s influence on Eliot, then on a whim he tells his fellow academics that its actually about Eliot’s influence on Shakespeare, a preposterous notion which rather than ridiculing, they all get terribly excited about. And so the foibles of contemporary academia are astutely satirised.  I say contemporary because although it was written in 1984, the following sentence convinced me of its relevance:

“How gratifying to encounter, in the dreary desert of contemporary criticism, an exponent of that noble tradition of humane learning, of robust common sense and simple enjoyment of great books.”

Unlike references to long-deceased shop chains like Rumbelows and Sketchleys, and Persse being completely confused as to what a karaoke bar is, this part of the book doesn’t seem to have dated at all.  Much as I enjoy my study (and therefore keep returning to it), many is the time I’ve sat in tutorials wishing I could just state that I liked something, without placing it in its post-modern, post-feminist, post-post-post framework to deconstruct its meaning to the point where you start to doubt your own sanity and whether you even know what a book is.

I have to admit I didn’t love Small World, I thought it was clever rather than funny, and it didn’t really engage me, but if you are involved in any sort of academia I’m sure you will recognise the characters and university politics and derive a few wry smiles of recognition at the very least.

But as I planned for the blog to be celebratory rather critical (and keep getting knocked off this course by the books H lends me, I may have to stop reading them, or at least stop blogging about them) I would like to balance this out by flagging up that David Lodge is an insightful critic as well as a novelist, and I highly recommend his The Art of Fiction. Each chapter takes a topic around creating fiction and uses an example as a discussion point, for example Defamiliarisation in Charlotte Bronte, Intertextuality in Conrad, and so on.  It’s really accessible, readable way of beginning to explore ideas, written in a non-pretentious way that his characters in Small World would be incapable of.

But The Art of Fiction is not fiction itself, and so I return to my second choice of novel, The Eyre Affair by Jasper Fforde (Hodder & Stoughton 2001). This was Fforde’s first novel featuring his heroine detective, Thursday Next.  If you think that’s a bad name pun, here are a few more: Millon De Floss; Jack Schitt; Landen Parke-Laine (a British monopoly pun “land on Park Lane” which perhaps doesn’t translate as well as the others) and many more.  As the pun Millon De Floss shows, this is a silly, fun book for literature lovers.  The Eyre of the title is Jane, and in an alternative 1985, Thursday has to defeat the evil Acheron Hades (great name) who is taking first editions of books and removing characters from them, causing all subsequent copies of the story to change.  Thursday pursues him into Jane Eyre (literally, she enters the story), where she has to stop him wiping out the heroine of one of her favourite novels without changing the story herself.  Things don’t go exactly to plan, but then Jane Eyre in Thursday’s world doesn’t have the ending we know and love….

The story is great fun, and if you love literature there are plenty of jokes to enjoy.  Thursday works as a literary detective, and this is a world where literature is taken very seriously. Teenagers swop Fielding cards:

““I’ll swop you one Sophia for an Amelia.”

“Piss off!” replied his friend indignantly.  “If you want Sophia you’re going to have to give me an Allworthy plus a Tom Jones, as well as the Amelia!”

His friend, realising the rarity of a Sophia, reluctantly agreed.”

The literary dedication of the populace continues into adulthood, such as when the Baconians, a group concerned with proving Shakespeare didn’t write Shakespeare, have their meeting fire-bombed by the radical splinter group, the New Marlovians.

The idea of characters being kidnapped from fiction works really well, as Fforde is able to use examples of characters that are abandoned by their authors to support the premise.  For example, Christopher Sly, the drunkard from the start of The Taming of the Shrew, has been found “wandering in a confused state just outside Warwick”.  He did disappear from the play, so maybe he was kidnapped in this world also?!

There is a feel of The Hitchhikers Guide to the Galaxy about The Eyre Affair and if you enjoy Douglas Adams I think you’ll enjoy this. It’s very clever but it’s not out to prove its own cleverness, and while it could have done with a slightly more heavy-handed editor in places, The Eyre Affair is a pacey, joyous tale about what happens when characters really come alive. And if H is reading this: success!  It made me laugh, my friend.

Here are the books doing their bit for Comic Relief by donning this year’s deelyboppers and red noses:


5 thoughts on ““It’s always funny until someone gets hurt. Then it’s just hilarious.” (Bill Hicks)

  1. I really struggled with ‘The Eyre Affair’ and couldn’t get into it at all but, having spent the majority of my professional life in academia, I find David Lodge very funny. You might prefer ‘Nice Work’ written in the late eighties.

    Liked by 1 person

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