The Murder of Halland – Pia Juul (2009, trans. Martin Aitken 2012, 189 pages)
This novella is published by Peirene Press who specialise in publishing contemporary European novellas, aimed to be read in one sitting. The Murder of Halland is part of their Small Epic series.
The story opens with a domestic scene, Bess and her partner Halland watching a detective series before he goes to bed and she returns to her study to continue her work as a successful novelist. By the third page however, she is woken by a man at the door claiming he is arresting her for the murder of her husband: Halland has been shot dead in the town square outside their flat.
“The wet cobbles glistened in the morning light. Normally, the square would be deserted. Now it was filling with people. Roses bloomed against the yellow and whitewashed walls.”
While The Murder of Halland could be classed as a crime novel, I think this is misleading. The focus is not on finding out who killed Halland but rather the grief of Bess as she ricochets around the small town in confusion, discovering Halland wasn’t quite who she thought he was and wondering if she is grieving in the right way.
“I could see why Halland had hung up the picture. It was our first year together and we were happy. Anyone could see that. At least I could, now. Halland’s hair had turned completely white during his illness, but here his long mane was dark and only just starting to turn in grey. I traced the sharp line of his nose with my finger, his full mouth. He was looking at me, saying something. What did we say to each other in those days? What did we ever say? I couldn’t remember us talking. Did we even say good morning? Yes, we said good morning.”
Bess’ detached narration makes The Murder of Halland an unsettling read. We know it was not a happy relationship, but we don’t know exactly why. We don’t know in what way Halland was ill. All Bess’ relationships seem to occur at a step removed: she has tense phone calls with her mother, a half-hearted reconciliation with her grandfather, an estranged daughter who arrives back in her life but they don’t explore what this means for either of them…
This strange detachment meant that I started to doubt Bess’ reliability as a narrator. When I read crime fiction it’s weirdly, for comfort, partly because I stick to Golden Age, and partly for all the ends to be tied up nice and neatly. The Murder of Halland is not this type of novel. It leaves the reader with many more questions than answers, most of all through it’s “WHAT????” ending . Surprisingly, I didn’t think this made for an unsatisfactory read. The Murder of Halland is an intriguing character study at a moment of crisis, as complicated and unresolved as life itself.