This is part of a series of occasional posts where I look at works from Le Monde’s 100 Books of the Century. The posts have been a bit too occasional, the challenge is taking me forever! I’m hoping this post will see me starting to build momentum again. Please see the separate page (link at the top) for the full list of books.
Contempt (Il disprezzo) by Alberto Moravia (1954 trans. Angus Davidson 1999) is a novel with a title that instructs the reader regarding the attitude to take to the narrator: Molteni is truly contemptible.
He is married to the gorgeous Emilia and at first they are very happy together, despite their poverty, as Molteni tries to make a living as a writer and earn enough to keep them in their modest home.
“Thus I never had so much to complain of as I did during the time when in truth – as I later came to realise – I was completely and profoundly happy.”
Gradually however, things start to unravel. They meet Battista, a crass, vulgar film producer. A seemingly innocuous event occurs but from this time Emilia starts to treat Molteni coolly. And so over the course of this short novel we see the disintegration of the marriage, the causes of which are entirely apparent to the reader but remain elusive to Molteni as he is so utterly self-absorbed.
He’s a terrible snob: he looks down on his wife for being less educated than him and has dreams of being a great writer. He feels his scriptwriting is beneath him yet he doesn’t really excel at that either, trying to write a film version of The Odyssey for co-producers with very different ideas. He’s so busy being intellectual that life is passing him by and he has no idea how incredibly stupid he is.
He has a degree of insight into abstract concepts, such as his decision to become a Communist, but is unable to translate it into meaningful action:
“Usually, in simpler, less cultivated people, this process occurs without their knowing it, in the dark depths of consciousness where, by a kind of mysterious alchemy, egoism is transmuted into altruism, hatred into love, fear into courage, but to me, accustomed as I was to observing and studying myself, the whole thing was clear and visible…yet I was aware the whole time I was being swayed by material, subjective factors, that I was transforming purely personal motives into universal reasons.”
The irony when he claims “I would never have become a Communist if I had not bought the lease of that over-expensive flat” completely passes him by.
And of course, he is completely blinded to the person he shares his life with. Emilia become progressively unhappier throughout the novel, which Molteni barely acknowledges, being so wrapped up in himself:
“Her beauty had about it a look of subjection, of reluctance, the cause of which I was at a loss to identify.”
It’s a short novel so I can’t say too much about plot, except things come to a head when the couple holiday with Battista in Capri, changing their lives irrevocably. Contempt shows how intellectualism and artistry carry a danger of relentless self-focus; coupled with Molteni’s material concerns, he loses all sight of people and human feelings, only realising where true meaning lies when it is too late.
I couldn’t have spent too much longer with Molteni but as a short, sharp novel, Contempt works well and has plenty of food for thought.
To end, the trailer for Jean-Luc Godard’s Le Mepris (1963), which was inspired by Contempt:
Oooh, now I want to watch that film…
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I saw it years ago & I was trying to remember what I thought of it! It certainly looks gorgeous…
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Great review. While I haven’t read Moravia’s book, I do recall seeing the film some time ago, possibly around the time of its re-release. He’s an interesting writer, Moravia. I loved Agostino, his novella about a young boy’s loss of innocence – a striking summer read.
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I thought you might have seen the film Jacqui, you’re always such a good source of cinematic recommendations as well as bookish ones!
I’ve not read Agostino but the writing in Contempt was so impressive, I’ll look out for it as I’d like to read more Moravia.
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The film is definitely worth a look, I recall it being rather melancholy in a strange way. An intriguing watch!
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I think melancholy is about right, the book didn’t quite have that tone because Molteni is so oblivious, but its certainly not a happy read.
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Excellent review although I’m not sure I can read this having known someone a little too like Molteni, not a partner I hasten to add!
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He’s utterly infuriating so if you’ve known a Molteni in real life I think you’d be throwing the book across the room! Very pleased to hear you weren’t the Emilia in this scenario 🙂
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I loved the writing in Agostino but wasn’t convinced by the psychology which has left me a bit unenthusiastic about reading more of his stuff. But the film looks as if it could be amazing. Must try to track it down…
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The psychology in this is frustrating- if only they would communicate with one another! – but sadly quite believable.
The film looks quite faithful to the book from the trailer, so maybe it will let you know if want to give Contempt a try. It does look stunningly shot.
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Great review Madame B. I know I’ve owned Moravia books in the past but alas can’t recall if I’ve read them… but this sounds proof that a work of literature can still be worth reading even if you hate the main character!
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Definitely – it’s a tough thing to pull off, but when a writer does it well it can be horribly compelling!
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This novel has aged rather well (contrary to many other novels written during that period), and I enjoyed it when I read it some time ago. In case you are interested, here is my review, with a few words regarding the movie as well: http://www.mytwostotinki.com/?p=3285
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I enjoy mid-20th century novels and feel they still have plenty to say, but perhaps the focus on self-interested vanity in this one means it is sadly less likely to date than most!
Thank you for the link – I’ll check it out.
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Great review and I’m minded to watch the film!
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Yes, me too! I’m sure I watched it 20-odd years ago so I’d really like to see it again now I’ve read the book.
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I first saw the film w/o having read the book & felt kind of confused. It was really vague & subtle. Then when I re-watched after reading the book I liked it much more. I think knowing the book (which is everything but subtle) helped me pick up on the subtleties in the film better & made it much more enjoyable to watch
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That might explain why the film has faded from my memory. I’m looking forward to watching it with the novel in mind, I must get organised and get a copy!
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