Troubling Love – Elena Ferrante (1992 trans. Anne Goldstein 2006) 139 pages
Although the popularity of Elena Ferrante’s Neapolitan quartet baffled me a bit, I had better luck with her stand-alone novella The Lost Daughter. This meant I was keen to try Troubling Love, and having finished it I did think that maybe I should give the quartet another try…
Delia’s mother Amalia has died in odd circumstances – drowned, found wearing only her bra, a glamourous one that Delia thinks it out of keeping with her mother’s style. As she returns home to Naples from Rome for the funeral, Delia finds herself reflecting on her past and trying to piece together what happened with her mother, both then and more recently.
“The streets of topographic memory seemed to me unstable, like a carbonated drink that, if shaken, bubbles up and overflows. I felt the city coming apart in the heat, in the dusty grey light, and I went over in my mind the story of childhood and adolescence that impelled me to wander along the Veterinaria to the Botanic Gardens, or over the cobbles of the market of Sant’Antonio Abate, which were always damp and strewn with rotting vegetables.”
Delia reflects on her childhood and her abusive father, who possessively and violently guarded his attractive wife. Delia’s memories of her painful home life are conflicted and contradictory. She despises her father but also harbours a lot of anger and resentment towards her mother.
“We, on the other hand, thought that our father, because of everything he did to her, should leave the house one morning and be burned to death or crushed or drowned. We thought it and hated her, because she was the linchpin of these thoughts.”
The past and present become overlaid as Delia visits her (still violent) father and meets a childhood friend she hasn’t seen in years. She chases a man through the streets thinking he has the answers as to what her mother was doing before she died. As she explores further, memory and identity become confused and less clearly delineated.
“Sometimes that place, which belonged to a less reliable memory, consisted of a dimly lighted staircase and a wrought-iron banister. At other times it was a patch of light striped by bars and covered by a fine screen, which I observed crouching underground, in the company of a child named Antonio, who held me tightly by the hand. The sounds that accompanied it, like the soundtrack of a film, were pure commotion, sudden banging, as of things formerly in order that abruptly collapse.”
Troubling Love isn’t so much a mystery story as an exploration of grief, memory, identity, and the slippery nature of all of these things. It doesn’t offer easy answers. It looks at how so much of this is bound up with family, and how this can be difficult to reconcile.
“Childhood is a tissue of lies that endure in the past tense: at least, mine was like that.”
Troubling Love was adapted to film in 1995. I’ve not seen it, but the trailer looks faithful:
I didn’t get on with the Ferrante quartet, either. Perhaps I should give this one a try or maybe watch the film.
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I’ve definitely liked the two novellas of hers I’ve read more than the quartet. I’d be interested to see the film too, and I think The Lost Daughter adaptation with Olivia Colman was very well received, so maybe films are the way to go Susan! (PS I had to edit this comment because I confused myself between The Lost Child in the quartet and The Lost Daughter novella 😀 But it’s definitely the novella and its adaptation that I meant!)
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For some reason, I’ve found all the Ferrante hype offputting, but you do make a good case for trying her less high profile works! 😀
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I’ve enjoyed the two novellas I’ve read Kaggsy. Hype is so off-putting isn’t it? It makes me more likely to avoid a book, but I guess it must work generally or it wouldn’t keep happening!
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I agree that the popularity of the Ferrante quartet is perplexing. I read one of them, and that was enough for me.
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I think I might be your polar opposite when it comes to Ferrante, as I tried to read this novella 5 or 6 years ago without much success. The Neapolitan novels, on the other hand, were absolutely my kind of thing – rich, complex and evocative in terms of time and place. It’s really odd, especially as the themes in Troubling Love (grief, identity and the slippery nature of memory) are usually catnip for me. Maybe I should give this another try at some point…probably not in the short-term, but I’ll try to keep an open mind, given your thoughtful review!
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I think its odd I don’t like the quartet Jacqui, as usually it would really appeal. I plan to give it another try though. Maybe we’ll both end up loving all of Ferrante!
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I haven’t read Ferrante yet, and am a bit put off by all the buzz so a novella might be the way in – thanks, I hadn’t come across either of these!
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I hope you enjoy her if you try her Jane! I’m definitely tempted to try the quartet again.
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Ooo, I was bit unbothered by My Brilliant Friend, but this sounds like a good place to try her again.
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I do prefer her novellas. She’s an interesting writer but the hype is astronomical. I can understand why she’d want to stay anonymous!
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