Speedboat – Renata Adler (1971) 170 pages
Speedboat is only a novel (or novella) in the loosest sense of the word. There’s no plot, no sense of linear time, no developing characterisation. Rather it is a series of observations, scenes, notes and stories that build a picture of late twentieth century life for a young female journalist living primarily in New York.
Jen Fain can be silly, shallow, detached; she is also insightful, witty, caring. She observes her life and the people in it with wry humour. There is the day she sees two rats:
“the second rat, of course, may have been the first rat farther up town, in which case I am being followed or the rat keeps the same rounds and hours I do. I think sanity, however, is the most profound moral option of our time.”
Her attitude to her profession:
“That ‘writer’s write’ is meant to be self-evident. People like to say it. I find it hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.”
Her young friends and their self-defeating endeavours:
“In the bar of his father’s hotel, with the leather chairs that give one the feeling of sitting in a wallet, Dommy has introduced a new drink, Last Mango in Paris. A steep decline.”
Amongst silly cocktail puns there is also a sense of a serious young woman, trying to work out the world amongst a hectic, intellectual life that offers few certainties:
“When I wonder what it is that we are doing – in this brownstone, on this block, with this paper – the truth is probably that we are fighting for our lives.”
At the moment I’m finding it hard to concentrate on reading and I wondered if I could sustain reading a plotless novel, but I found the humour and sharp observations of Adler’s writing pulled me along.
Speedboat reminded me a bit of Flights by Olga Tokarczuk so if you enjoyed the fractured, plotless style of that, you might enjoy this.
“Hardly anyone about whom I deeply care about at all resembles anyone else I have ever met, or heard of, or read about in literature.”
Well done on getting through it. Did you finish or enjoy Flights?
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Yes, I really enjoyed this and Flights, but I think I do need to read books like this at the right time or I can’t keep with them, my concentration goes and I lose the sense of the whole.
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This is the kind of narrative I usually enjoy but for some reason I didn’t click with Adler. I’m glad it worked for you.
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The voice in Speedboat can be a bit distancing I think – she’s very witty but she doesn’t really invite the reader in…
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Excellent stuff! I loved Flights so you encourage me to think I will love this (i’ve been thinking about picking it up for a while! 😀
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I hope you enjoy it Kaggsy!
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I posted on this some time ago. I struggled to get into her method, then loved it. It’s tempting to quote almost at random – you’ve chosen some good ones. Every paragraph, every sentence just about, is brimming with intelligence and wit. And there is a sort of plot, deep down. I puzzled for a while about the title, and came up with a not very compelling answer…
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I often find it takes a while to get into fragmentary novels, there’s not the plot to pull you in. Once I’d adjusted to it I read this quite quickly though.
I really enjoyed your post on this, here is the link for others to read it: http://tredynasdays.co.uk/2013/11/somebody-ate-gerbil-renata-adler-speedboat/
What’s your answer to the title? I’m intrigued!
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Thanks for linking to my piece. I quote from a scene where she and friends charter a boat that might be a speedboat. It’s very fleeting, and I have no idea why she chose what seems like a fairly random incident as the title.
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Ah, I wondered if that quote was the title boat. Could be…
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I have had this for ages but am afraid I wouldn’t do well with its fragmented style at the moment. But the quotes tell me I would like it very much.
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I hope you enjoy it when you get to it Caroline. It’s definitely one that needs to be read at the right time though.
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Everyone recommends this one to me – I wonder if it’s a bit like Jenny Offill’s style, which I have to be in the right mood for. Or rather, which I like in small doses.
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I’ve only read Dept of Speculation but from that I would say Offill has a clearer plot line through her work, which this didn’t have. I agree about small doses – I couldn’t read a long novel in this style.
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I’m so you enjoyed this. The quality of the writing really elevates it to a higher level. I’m not normally a fan of these fragmentary novellas, but this definitely proved to be the exception to the rule.
I wondered if the book was partly a reflection of the sense of unease in the US at the time, politically and culturally. Your quote about fitting for our lives reminded me of it. (Like Simon, I wrote about it a few years ago, but please don’t feel under any obligation to visit!)
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I agree Jacqui, the writing for a fragmentary style needs to be excellent to keep the reader engaged.
That’s a really interesting point about it reflecting politics and society at that time, it makes a lot of sense and is certainly evocative of that period.
It’s never any obligation to read your insightful reviews! Here is the link for others to visit: https://jacquiwine.wordpress.com/2014/08/18/speedboat-by-renata-adler-nyrb-classics/
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Thank you!
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I have this in the 746 and *might* include it in my 20 Books of Summer pile (which is changing daily!).
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I’ll be interested to know how you find it Cathy, if it makes the final cut!
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Although I LOVE that cover, I’ll avoid this one – my life feels fractured and plotless enough without reading about similar. I have wondered how long this feeling of being ‘removed’ from everything (because of lockdown) will endure, even after we are encouraged to ‘re-enter’ the world (we are still essentially in lockdown in Melbourne, although this week you are allowed up to five people in your home – unfortunately some have taken the ‘five people’ guildeline to mean ‘host a dinner party’, so awaiting further outbreaks…)
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I know what you mean Kate, I did wonder if I’d struggle to read it at the moment. The writing pulled me along but generally I think I’m more of a plot-driven reader right now.
I saw clips of Melbourne coffee shops reopening in the news and thought of you!
I also wonder what the psychological fall out will be. I think everyone will get overexcited at first and then we’ll be wandering round a bit lost. I’m not a pessimist, I just think we’re going to take time to come to terms with it all.
Having said that – 5 whole other people, hooray! Enjoy your dinner party!
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Intriguing – I’ve often been drawn to this because the cover is so stunning, and now I know what to expect inside 😀
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It is a gorgeous cover! NYRB often make interesting cover choices I think.
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This is on my TBR and I agree, I have to be in a particular mood to connect with this kind of fragmentary writing. But, sometimes, it’s just exactly what I’m craving. The last quotation made me smile!
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I hope you enjoy it when its the right time! It is very witty and full of sharp observation.
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